His portrait of Andrea Odoni (Royal Art Collection, Hampton Court) (1527) would later influence the portrait of Jacopo Strada by Titian (1568) (Kunsthistorisches Museum, Vienna).
This was probably because he had imitated the style of Raphael, a rapidly rising star in the Papal court ; indeed he had done it before, in the Transfiguration of the Recanati polyptych.
The Marches (15111513) and Bergamo (15131525) edit reprise jeux ps2 cash express In 1511 he was at work for the confraternity of the Buon Gesù in Jesi, painting an Entombment (Pinacoteca Civica, Jesi soon after he was painting altarpieces in Recanati: a Transfiguration (c.1512, now in the Pinacoteca Comunale, Recanati.
High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman.Apprenticeship edit, little is known of his training.Grove Dictionary of Art ; MacMIlllan Publishers Ltd, 1990; isbn Ricketts Melissa - Maestros del Renacimiento (in Dutch Translation : Grote meesters uit de Renaissance ; Rebo International BV, 2005 isbn ) Benesch, Otto (December 1957).Catherine of Alexandria (1533).Louvre, Paris Portrait of Andrea Odoni (1527).Recanati (15061508) and Rome (15081510) edit The Adoration of the Child, (c.Civic Museum Villa Colloredo Mels, Recanati Portrait of a Young Man with a Lamp (c.1 2 Bernard Berenson Lorenzo Lotto, Abscondita 2008.During that time he decorated the basilica of Santa Maria and painted a Presentation in the Temple for the Palazzo Apostolico in Loreto.
He died in 1556 and was buried, at his request, in a Dominican habit.Civic Museum Villa Colloredo Mels, Recanati Holy Family with SS Jerome, Anna and Joachim (1534).De Vecchi-Cerchiari, cit., pag.Allegory of Virtue and Vice (1505; National Gallery of Art, Washington he shows the influence of Giorgione 's Naturalism.He moved again to Treviso in 1542 and back to Venice in 1545.Accademia jeux de argents en ligne 08 Carrara, Bergamo Ritratto di coniugi (1524).He was active during the.Kunsthistorisches Museum, Vienna Portrait of a Gentleman with a Lion Paw (c.
To cope with the many commissions he started to receive, he founded a workshop.
In the same fresco he portrays Christ with vines sprouting from his hands, illustrating the words of the New Testament: "I am the vine, you are the branches".